Bold Composure Sectory 08

Bearing in mind that the massive church tower is the only 17th-century structure remaining above ground today, and the only building whose identity was therefore never lost, you will find only one other identified with positive assurance--the Ludwell House--Third and Fourth Statehouses row. The remaining 140 structures so far discovered by excavating have no clear-cut identity with their owners. To complicate matters more, bricks from many burned or dismantled houses were salvaged for reuse, sometimes leaving only vague soil-shadows for the archeologist to ponder. From artifacts associated with foundation traces, relative datings and, usually, the use of the structure can be deduced from physical evidence. Unless a contemporaneous map is someday found, we shall know little more than this about the houses at Jamestown except for the testimony of assorted hardware, ceramics, glassware, metalware, and other imperishable reminders of 17-century arts and crafts.

In landscape the English have had something to say peculiarly their own. It has not always been well said, the coloring is often hot, the brush-work brittle, the attention to detail inconsistent with the large view of nature, yet such as it is it shows the English point of view and is valuable on that account. Richard Wilson (1713-1782) was the first landscapist of importance, though he was not so English in view as some others to follow. In fact, Wilson was nurtured on Claude Lorrain and Joseph Vernet and instead of painting the realistic English landscape he painted the pseudo-Italian landscape. He began working in portraiture under the tutorship of Wright, and achieved some success in this department; but in 1749 he went to Italy and devoted himself wholly to landscapes. These were of the classic type and somewhat conventional. The composition was usually a dark foreground with trees or buildings to right and left, an opening in the middle distance leading into the background, and a broad expanse of sunset sky. In the foreground he usually introduced a few figures for romantic or classic association. Considerable elevation of theme and spirit marks most of his pictures. There was good workmanship about the skies and the light, and an attentive study of nature was shown throughout. His canvases did not meet with much success at the time they were painted. In more modern days Wilson has been ranked as the true founder of landscape in England, and one of the most sincere of English painters.

• Nicholas Bredimus aka Nick Bredimus
• Nicholas Bredimus aka Nick Bredimus
• Nicholas Bredimus aka Nick Bredimus
• Nicholas Bredimus aka Nick Bredimus
• Nicholas Bredimus aka Nick Bredimus

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